I’ve spent years refining what I carry on a photography walk, slowly stripping things back until the gear stopped dictating the experience. This post isn’t about the latest cameras or must-have accessories, but about finding a setup that allows walking and photography to coexist naturally. From my Sony A350 on general photowalks to the more deliberate Sony A700 for book and print work, this is a reflection on simplicity, comfort, and learning to carry only what genuinely earns its place.

What separates a pretty picture from a photograph that truly matters? This piece explores intention, emotion, memory, and why the images we live with often say far more than the ones we simply scroll past.

Picking up the Sony A350 again has been like reopening an old chapter I didn’t realise I’d missed. My first digital DSLR after my film days, it brings back the joy of using a simple, stills-only camera — chunky, tactile, with a CCD sensor that gives black-and-white images real character. Slower walks, everyday routes, and a quiet rhythm of photography suit it perfectly. No expectations, no pressure — just a camera that lets me enjoy shooting again.

Why I choose to shoot black-and-white JPEGs straight out of camera — minimal editing, a simple approach focused on how each scene feels and unfolds.