Six woodlands across four blogs and over a thousand still to explore. The final part of the series steps back from the trees — accessibility, seasons, sounds, and one thing that genuinely needs saying about dog walkers in ancient woodland.

Ashridge contains more ancient and veteran trees than any other National Trust property in the country. Bisham Woods may have inspired the Wild Wood in Wind in the Willows. Two extraordinary woodlands at opposite ends of the Chilterns, and between them enough subject matter to keep a photographer busy for years.

There are over a thousand named woodlands in the Chiltern Hills. Ancient, atmospheric, and free to walk into on any given morning with a camera and a dog. This is where the series starts — two of Buckinghamshire's finest bluebell woods, and why woodland photography will test your patience and reward it in equal measure.

A UK black and white landscape photographer's perspective on why the Chiltern Hills — quiet, understated, and full of human intervention — make for more honest and rewarding photography than any mountain summit ever could.

The Sony A700 is a camera that was built to be used — and that's exactly why it still earns its place in my kit today. A second body that keeps me in the same Sony A-mount system, fits in the hip pack, and delivers smoother black and white JPEGs than anything I'd spend ten times the price on. Sometimes old is still good enough, even today.

More Than a Pretty Picture didn't start as a book. It started as a series of blog posts about why I photograph, what the practice gives me, and how it fits into everyday life. A couple were published, the rest were withheld, and somewhere along the way the decision was made to turn it all into something more permanent. This is how a collection of reflections became a first book.

Why do we pick up a camera? Photography isn’t just about images — it’s about noticing, creating, connecting, and remembering. This is a look at what draws us to the craft and why it matters, even if no one else sees our work.

A slower space for black and white photography, countryside walks, and quiet moments from everyday England — where the focus is on the picture, not the platform.

Why I choose to shoot black-and-white JPEGs straight out of camera — minimal editing, a simple approach focused on how each scene feels and unfolds.